#: locale=ko ## Action ### URL LinkBehaviour_0D43254A_2EF6_0F69_4195_4540FD6D748C.source = https://theteamfive.com/ LinkBehaviour_0D62E779_2EF6_0B2B_41C4_FEC80D549AB6.source = https://theteamfive.com/ ## Hotspot ### Tooltip HotspotPanoramaOverlayArea_3363EBB9_2EDE_1B2B_41C6_FF644ABA1390.toolTip = A Corner of l’Hermitage, Pontoise (1878) HotspotPanoramaOverlayArea_1E3FBFBF_31F2_3B27_41AC_118B8CB5829A.toolTip = A Corner of l’Hermitage, Pontoise (1878) HotspotPanoramaOverlayArea_3317226E_2ED2_0526_41C7_9A5494FC0F81.toolTip = A Cowherd at Valhermeil, Auvers-sur-Oise (1874) HotspotPanoramaOverlayArea_1E3F0FC0_31F2_3B59_41C2_0AF285DBF949.toolTip = A Cowherd at Valhermeil, Auvers-sur-Oise (1874) HotspotPanoramaOverlayArea_1E3CDFC3_31F2_3B5F_41BB_B55D5ADF6F7F.toolTip = A Seated Peasant Woman (1885) HotspotPanoramaOverlayArea_3273DFAD_2ED6_3B2A_41C7_1250F7997703.toolTip = A Seated Peasant Woman (1885) HotspotPanoramaOverlayArea_3779092C_2F72_0729_41C7_87BD05C66E64.toolTip = Allée Dans Une Fôret 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A Corner of l’Hermitage, Pontoise (1878)
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A Corner of l’Hermitage, Pontoise (1878)
htmlText_3309F270_2ED2_0539_41C5_390F269441A8.html =
A Cowherd at Valhermeil, Auvers-sur-Oise (1874)
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A Cowherd at Valhermeil, Auvers-sur-Oise (1874)
htmlText_1E3CAFC4_31F2_3B59_41BF_BAD209484DFD.html =
A Seated Peasant Woman (1885)
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A Seated Peasant Woman (1885)
htmlText_3743B92D_2F72_072B_41AC_BDCDF1BC51BA.html =
Allée Dans Une Fôret
htmlText_1CC5F726_3132_0CD9_41C9_5D5AC9CAC61A.html =
Allée Dans Une Fôret
htmlText_3212FA10_2ED6_04F9_41A2_EF5128CA30E3.html =
Apple Harvest (1888)
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Apple Harvest (1888)
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At the Window, rue des Trois Frères (1878–79)
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At the Window, rue des Trois Frères (1878–79)
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Bords Du Loing À Moret (1901)
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Bords Du Loing À Moret (1901)
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Boulevard Montmartre, Spring (1897)
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Boulevard Montmartre, Spring (1897)
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Boulevard Montmartre, Spring (1897)
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Boulevard Montmartre, Spring (1897)
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Boulevard Montmartre, Spring (1897)
htmlText_34735705_2F32_0CDB_41B0_15F32DAEDA21.html =
Boulevard Montmartre, Spring (1897)
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Boulevard Montmartre, Spring (1897)
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Boulevard Montmartre, Spring (1897)
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Boulevard des Italiens,Morning_Sunlight (1897)
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Boulevard des Italiens,Morning_Sunlight (1897)
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Boulevard des Italiens,Morning_Sunlight (1897)
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Boulevard des Italiens,Morning_Sunlight (1897)
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Cardeuse de laine
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Cardeuse de laine
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Cardeuse de laine
htmlText_1E30958A_31F2_0FE9_41C9_0B9EAC5517EC.html =
Cardeuse de laine
htmlText_33D53BAE_2ED6_1B29_41C2_6708853A7A71.html =
Cavalier À L’orée D’un Bois (circa 1859)
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Cavalier À L’orée D’un Bois (circa 1859)
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Charing Cross Bridge,London (1890)
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Charing Cross Bridge,London (1890)
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Haymakers of Eragny (c. 1896)
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Haymakers of Eragny (c. 1896)
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Jeune Paysanne Se Coiffant (1891)
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Jeune Paysanne Se Coiffant (1891)
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Julie Pissarro au jardin (1874)
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Julie Pissarro au jardin (1874)
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Kensington Gardens, London (1890)
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Kensington Gardens, London (1890)
htmlText_3758DE3B_2F72_3D2F_41A7_2C6D7577BBA8.html =
Le Chemin, paysage hivernal (1862)
htmlText_33D5AA12_2ED6_04F9_41BC_CC48CF24E481.html =
Le Chemin, paysage hivernal (1862)
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Le Chemin, paysage hivernal (1862)
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Le Chemin, paysage hivernal (1862)
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Peasant (19th century)
htmlText_36688A4F_2F36_0567_4180_BC9120C605A3.html =
Peasant (19th century)
htmlText_1CC77720_3132_0CD9_41C3_5ED7101E0AFF.html =
Peasant (19th century)
htmlText_1E323589_31F2_0FEB_41C8_EBEA4A4879D1.html =
Peasant (19th century)
htmlText_38802F54_2FD2_1B79_41BA_0CCF1ADB2640.html =
Peasant Woman
htmlText_1CC7771D_3132_0CEB_419D_908C7AE3C798.html =
Peasant Woman
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Rue Damiette, Rouen (c. 1884)
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Rue Damiette, Rouen (c. 1884)
htmlText_35F7FE35_2F32_1D3B_41C1_CA96BA3D4827.html =
Rue Damiette, Rouen (c. 1884)
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Rue Damiette, Rouen (c. 1884)
htmlText_3389C8DB_2F3E_056F_41C0_AA2E7A689F36.html =
Rue de l’Épicerie, Rouen (Effect of Sunlight) (1898)
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Rue de l’Épicerie, Rouen (Effect of Sunlight) (1898)
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Scene de rue, Lisieux (1901)
htmlText_1CC6271C_3132_0CE9_41C1_85285F2A5E31.html =
Scene de rue, Lisieux (1901)
htmlText_1CC4B723_3132_0CDF_41AA_90CDA0348A38.html =
Snow at Louveciennes (c. 1870)
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Snow at Louveciennes (c. 1870)
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Sunset at Eragny
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Sunset at Eragny
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The Banks of the Marne in Winter (1866)
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The Banks of the Marne in Winter (1866)
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The Banks of the Marne in Winter (1866)
htmlText_1CC4E725_3132_0CDB_41BF_7F1EEF6D0A0B.html =
The Banks of the Marne in Winter (1866)
htmlText_319398A2_2ED2_05DE_41A0_61071AD3494A.html =
The Bather (1895)
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The Bather (1895)
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The Marne at Chennevières
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The Marne at Chennevières
htmlText_1E3FFFBE_31F2_3B29_41C9_F4C109039CAC.html =
The Marne at Chennevières
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The Marne at Chennevières
htmlText_1CC7F71E_3132_0CE9_41B0_3A9DAFB46792.html =
The Mender (c. 1881)
htmlText_34897E75_2F32_7D3B_41AB_BB4D6011A3EB.html =
The Mender (c. 1881)
htmlText_317E7642_2EEE_0D59_41B1_DEA343A6F1A9.html =
Two Women Chatting by the Sea,St. Thomas (1856)
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Two Women Chatting by the Sea,St. Thomas (1856)
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Woman Bathing Her Feet in a Brook (1894)
htmlText_1E3F2FC3_31F2_3B5F_41C5_06CB75E59D39.html =
Woman Bathing Her Feet in a Brook (1894)
htmlText_1C39071A_3132_0CE9_41B0_FFF050F6F5FC.html =
Camille Pissarro
(1830.07.10~1903.11.13)
Camille Pissarro는 덴마크-프랑스 인상파 화가이자 신인상파 화가로 세인트 토마스 섬에서 태어났습니다. 그의 중요성은 인상주의와 후기 인상주의 모두에 대한 그의 공헌에 있습니다. Pissarro는 Gustave Courbet와 Jean-Baptiste-Camille Corot를 포함한 위대한 선구자들에게서 공부했습니다. 그는 나중에 54세에 신인상파 스타일을 취했을 때 Georges Seurat 및 Paul Signac과 함께 공부하고 작업했습니다.
1873년 그는 15명의 야심찬 예술가들로 구성된 집단적 사회를 설립하는 것을 도왔고, 그룹을 결속시키고 다른 구성원들을 격려하는 "중추" 인물이 되었습니다. 미술사가 존 리왈드(John Rewald)는 피사로를 "인상파 화가들의 학장"이라고 불렀는데, 그 이유는 그가 그룹 중 가장 나이가 많았기 때문일 뿐만 아니라 "그의 지혜와 균형 잡힌 친절하고 따뜻한 마음을 가진 성격 덕분에"였습니다. Paul Cézanne은 "그는 나에게 아버지였습니다. 상담할 사람이요 선한 주님과 조금 닮았다"고 말했고, 그는 또한 Paul Gauguin의 마스터 중 한 사람이었습니다. Pierre-Auguste Renoir는 Pissarro가 "기술이나 웅장함"이 없는 자연 환경에서 개인을 그릴 것을 주장함에 따라 "일반인"에 대한 예술적 묘사를 통해 자신의 작품을 "혁명적"이라고 언급했습니다.
피사로는 1874년부터 1886년까지 8번의 파리 인상파 전시회에서 모두 자신의 작품을 선보인 유일한 예술가입니다.
Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886.
htmlText_1DBF9AFB_31D2_052F_41C4_D15798043D81.html =
Camille Pissarro
(1830.07.10~1903.11.13)
Camille Pissarro는 덴마크-프랑스 인상파 화가이자 신인상파 화가로 세인트 토마스 섬에서 태어났습니다. 그의 중요성은 인상주의와 후기 인상주의 모두에 대한 그의 공헌에 있습니다. Pissarro는 Gustave Courbet와 Jean-Baptiste-Camille Corot를 포함한 위대한 선구자들에게서 공부했습니다. 그는 나중에 54세에 신인상파 스타일을 취했을 때 Georges Seurat 및 Paul Signac과 함께 공부하고 작업했습니다.
1873년 그는 15명의 야심찬 예술가들로 구성된 집단적 사회를 설립하는 것을 도왔고, 그룹을 결속시키고 다른 구성원들을 격려하는 "중추" 인물이 되었습니다. 미술사가 존 리왈드(John Rewald)는 피사로를 "인상파 화가들의 학장"이라고 불렀는데, 그 이유는 그가 그룹 중 가장 나이가 많았기 때문일 뿐만 아니라 "그의 지혜와 균형 잡힌 친절하고 따뜻한 마음을 가진 성격 덕분에"였습니다. Paul Cézanne은 "그는 나에게 아버지였습니다. 상담할 사람이요 선한 주님과 조금 닮았다"고 말했고, 그는 또한 Paul Gauguin의 마스터 중 한 사람이었습니다. Pierre-Auguste Renoir는 Pissarro가 "기술이나 웅장함"이 없는 자연 환경에서 개인을 그릴 것을 주장함에 따라 "일반인"에 대한 예술적 묘사를 통해 자신의 작품을 "혁명적"이라고 언급했습니다.
피사로는 1874년부터 1886년까지 8번의 파리 인상파 전시회에서 모두 자신의 작품을 선보인 유일한 예술가입니다.
Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886.
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